MARIE SALDAÑA

I explore the borderlands of history, data, design. I am currently an assistant professor of cultural heritage informatics at the University of Arizona.

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In the meantime, visit the website of my current research project: Taming the Wild Horse Desert

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WUNDERKAMMER

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Frontispiece to Ole Worm's "Museum Wormianum" (Leiden: 1655). British Museum.

Teaching, Design Studio
Fall 2022
School of Interior Architecture
College of Architecture & Design
University of Tennessee - Knoxville

Millions of years ago, the Appalachian mountains, the Atas mountains in Morocco, and the Scottish Highlands were all part of one land mass - the Central Pangean Mountains. The studio imagined a hypothetical future in which these continents and cultures re-converge. What kind of material and conceptual hybrids would result?

Beginning with research on the geography and cultural history of these three regions, students identified characteristic materials, objects, and spaces, and wrote short stories about “imaginary artifacts”. Using generative AI tools Midjourney and DALL-E, which create photorealistic images from text prompts, students imagined spaces that blur the lines between fact and fiction. Between a shop and a museum, the design project was based on the historical precedent of a wunderkammer, or cabinet of curiosities: a spatial typology that emerged in the Renaissance as a way to store and display strange, fantastic, or mysterious objects, reflecting a fascination with the natural world and humanity’s place within it.